BAMBI (1942)

It’s Saturday.  I’m comfortably nestled into the couch, and Jake is munching on apple pie, whilst I am feasting on ice cream. It is, of course, time for Bambi.

As Jake takes his seat and carefully handles the still-warm pie in danger of imminent floor-flop as he sits, he is bizarrely singing the opening credits to Mulan. I remind him how long we have to go before we reach Mulan and he breathes a heavy sigh.

The first menu is very middling. Drab, hazy, impressionist style. Meh.

Trailers aplenty this week – first of all A Christmas Carol and Alice in Wonderland, as it’s an advert for 3D. We chortle. It’s so patronising watching mum, dad and 2.4 children gesticulate and grin at the TV in giant black glasses as if they’re Stevie Wonder. Also, The Lion King! Oh, I can’t wait for this. That’s a properly good one. Jake is just wondering when we will finally get a film in widescreen.

Tangled is next. Looking forward to that too. Oh, all those films ahead of us before we reach this. It’s going to be a long 2017.  And finally, Cars 2. Very sour reaction from both of us. The less said the better.

We are informed at this point that Bambi is only 70 minutes long! How do they do it? There’s also a really lovely, light and stylish menu full of nature scenes before we start – the best so far.

We decide, upon prompting, to watch the introduction from Diane Disney Miller – we’re gravely disappointed to find it’s merely a disguised advert for a museum. (The script is basically “here at the museum we have a wide array of products for only $79.95, oh and one of the things here is from Bambi. Bye”). For shame, Diane Disney Miller.

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Once again, we have the new logo with old music… it’s highly unusual.

After what has seemed like an eternity of trailers, menus and Diane Disney Miller, finally we’re at the opening credits – with a rather pleasant song I don’t remember. Jake spends most of his time laughing at people’s names. Some particular highlights:

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Thomas H. Codsick (?!) and Dick Kelsey (har di har). We quickly tire of this.

J: I can’t wait to get rid of the credits at the start. It’s just not what you want to start a film with.

A: It does kind of kill the momentum dead. It’s like we’ve already finished.

We begin with a genuinely amazing (in comparison to Dumbo etc) opening shot that is by far the most photo-realistic moment in any of these films so far.

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A: Oo wow, that is impressive. That is way beyond anything else so far.

J: Only a year after Dumbo!

A: Makes you think they probably could have afforded to put faces on those black people last week.

The shot keeps going… and going… and going.

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J: They’re really showing this off.

A: Yeah, I get the point now.

Finally, we break, and are greeted by a bird flying in.

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A: It’s an owl!

J: Hi owl!

As ever, we have the weird mismatch of animation.

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J: It’s so weird how the backgrounds are so well animated but the characters are so simple. Like a watercolour with Clip Art on top.

A thought occurs.

A: You know what I’m noticing? How long we spend in these films so far watching people sleep.

J: And animals. Animals in general just doing shit.

We’re not kidding.

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Eventually we see some animals waking up, going about their day. Including a rabbit!

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This is basically the only thing that happens in the first five minutes.

J: I guess animation just allows you to do this sort of thing, you can’t do this with live action so it’s all still a novelty.

Suddenly, the assorted wildlife are being ordered to wake up, wake up! There is news in Sherwood Forest. The little baby rabbit – he’s called Thumper – has a rather noticeable voice.

A: Are those actual kids voicing the animals?

J: I think so! Back then they were probably using child labour.

The news is that our titular deer, Bambi is newborn and sleeping. We learn that he’s the new Prince of the Forest. Congrats.

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J: Bambi is a prince, so there’s a monarchy in the forest – are there rebellions in the forest about this?

A: Republican tree-dwellers.

Straight off the bat he’s being scrutinised and played with like a Barbie doll.

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J: Why are they making him parade around the second he’s born?

A: Well, look at Prince George.

J: Yeah but not when he was straight out of the vagina.

A: Pretty much…

Bambi gets up tediously slowly, and there is so much more clowning around with Mickey Mousing in the score than we have ever had before.

The owl we just met turns out to be really in your face and annoying, like one of those old people who talks to teenagers about Teletubbies and bubbles.

J: What a patronising bint.

A: I didn’t know Bambi was a baby in this, that’s news to me.

J: Have you ever seen this film?

The owl is actually quite scary! I mean look at THIS.

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All the other animals gawp at Bambi and they all promptly fuck off as soon as Bambi gets bored. The power of the monarchy.

Thumper makes it known that he approves of the name Bambi.

A: Oh Im glad his mum has your permission, random bunny.

The dad appears – an almighty stag with antlers that would take your eyes out.

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A: Oo, proper DILF of the forest there. The D stands for deer.

We don’t learn much about Stag of the Dump. More of him later.

A quick time skip follows, and Bambi is very slightly older. Not noticeably. I dunno really. Bambi addresses a bunch of birds that make camp in front of his face.

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A: Eat them all, Bambi!

J: You know deer are vegetarian?

A: Are they? Imma check that. (Andy’s Fact Corner: Yes, the vast majority of deer are herbivores, but the odd one or two have been known to eat meat.)

To be honest, Bambi just kind of wanders about for ages.

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A: Anything gonna happen in this movie then?

J: That’s the thing about all these early ones so far. They’re just so plotless. The only one with a real story was Pinocchio.

A: That’s probably why it was the best one. Also, it had Geppetto.

Jake notices something new here that is of great interest to me.

J: Bambi has a theme when he walks!

A: Oo. That’s called a leitmotif.

J: Thanks. I really needed to know that.

Bambi falls over.

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J: Ahahahah dickhead!

I am more sympathetic.

A: Aww, he’s so cute. You know, I just kind of have it in my head that Bambi is a girl. I don’t know why.

J: He does look like one, actually.

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Thumper is on the scene, ordering people about again like some special snowflake.

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A: That rabbit is getting on my tits. He’s just not very likeable, it’s like he knows best.

J: And he has an annoying child voice, I can see why they don’t often use child actors.

A: He’s no Timothy Quentin Mouse. (Gone but not 4gotten ❤ <3)

Bambi tries to say “bird”. He makes a bollocks of it.

A: Awwwwwwwwwwwwwwwww!

He eventually says “bird” so loudly when put under pressure that this happens.

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A: Poor guy. He’s gonna get anxiety.

In happier news, he spots a butterfly and says “bird” at it.

J: That’s not a bird, it’s a butterfly, you stupid shit. Don’t you know the difference?

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A: He’s a day old. Mind you… when Pinocchio was a day old, he was performing on stage. When Dumbo was a day old, he was also performing on stage. Bambi is a late developer.

J: Two films in a row about animals born at the start of the film.

A: And we’ve got plenty more to come. Lion King, 101 Dalmatians… I’m sure there’s more.

J: They like their coming of age stories, don’t they?

We are interrupted by THUNDER. However, we’re still distracted, as Thumper has a truly terrible actor who we just can’t see past. I’m not going to take the piss out of kids too much, but really – he delivers his lines at about 1mph with all the passion and sincerity of Tommy Wiseau.

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J: Jeez, that is bad.

A rain drop falls, and a song begins to build with the sound of the drops.

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A: I know this! Little April Showers!

For context, Jake always sings this to me. Weird to see it for real. The notable feature of this song is how the orchestra and choir are manipulating their performances to sound like various weather features, and the plip-plops of the rain are in perfect time with the voices.

J: Now there is some major Mickey Mousing here, babe.

A: God, you’re not kidding. That’s actually really clever, I don’t mind that at all.

It’s a very lovely song and you can’t help but admire the sheer effort that must have gone into that. It’s very pleasurable to watch.

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A: Aww, this is nice. No one’s singing in this film, it’s all choirs. Huh. I actually kind of prefer it.

There’s also a mega excess of scenery porn during the rain.

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J: It is very pretty, isn’t it?

A: Yeah, I can see why they’re showing off with this. Hard to believe Dumbo came out right before this.

A mouse runs to and fro to escape the horrid weather.

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J: You’re going to get eaten by the owl, surely?

Thunder and lightning is also done through Mickey Mousing. I can’t emphasise enough just how cleverly done this is.

A: This is so sensory, it’s so well made for kids.

J: There’s a lot of sound going on – Sound and Vision! (Yes, he’s broken into Bowie).

A little cue in the middle sounds just like Rey’s Theme from The Force Awakens, and I love Jake for pointing it out. I’ve trained my Padawan well.

A: Hey, I’ve just realised, this is the first film to tell us when we are. It’s April!

Eventually, the storm is over, all is well, and we’re into the summer.

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A British summer, presumably.

Bambi is offered the chance to explore the meadow.

Bambi: What’s a meadow?

A: Nothing, what’s-a-meadow with you?!

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I laugh forever at this. Honestly, I’m chuckling about it for the rest of the film. I’m so proud.

Bambi asks about his absent father, and his mum rather bluntly jibs him off. Bambi doesn’t look too happy with how the conversation went.

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A: Jeremy Kyle would be all over this.

Changing the subject, Bambi’s mum warns him about the dangers that enter the forest.

J: They mean hunters, babe. In case they get shot in the face.

A: Oh.

One particular shot here is literally done like an actual painting. It’s really eye-catching but surreal.

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Jake gets a sad face rather suddenly as he thinks about something

J: You know, I bet everyone who made this film still eats deer.

A: Yeah. Well, hopefully no one who made Dumbo eats elephant.

J: They could use ivory.

A: Okay, well, I hope no one who made Pinocchio eats boys.

Bambi farts about in a puddle rather adorably, but a very pissed off looking duck isn’t quite so thrilled. Bambi and Thumper eat flowers and encounter this adorable little muffin, nicknamed (imaginatively) Flower.

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Thumper is told off about not eating his greens by Mama Do The Thump(er).

A: Can you tell this is for kids? Subtle…

Thumper whispers silly things to Bambi.

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J: You cheeky little rabbit.

I can’t tell whether Jake likes Thumper or not. I choose not to ask as I’m enjoying the mystery. Finally, something of incident as Bambi is introduced to THA LAYDEES.

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A: Oh! A deer! A female deer!

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I’m on form tonight.

The doe chases Bambi around, to an uncomfortable degree.

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J: Jeez, no means no, love. What a rude, rude deer.

They flirt a bit (in the way that babies are capable of) and then Bambi is very befuddled and clumsy, and she laughs at him a lot.

A: She is really mean. Sod off.

Bambi gets very angry and pulls a Rise of the Planet of the Apes on her, yelling loudly.

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J: Oo, he’s fighting back. Go ‘ed, Bambi.

The Mickey Mousing is getting really ridiculous. Hard to describe it in text and images, but really, it’s like a silent movie.

J: Every single thing is getting replicated in music. It’s crazy.

Suddenly, things take a very dramatic turn indeed. There’s an air of panic in the air, and suddenly all the deer run through the forest!

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A: Is this where his mum dies?

J: Probably not, babe.

It’s a veritable stampede of deer! Jake sings The Lion King’s stampede music (you know exactly what I mean, don’t pretend you don’t).

Everyone’s safe. Deer Theodosia is there afterwards, and briefly encounters his family.

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A: Look at his awesome neck beard.

Bambi is delighted to see his father, but James Potter doesn’t acknowledge Bambi, not even for a moment.

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A: Aww but Bambi was so cute! That is heartbreaking.

J: You dickhead! Where’s your support payments? Get your act together!

Bambi’s mum explains that his father is the Prince of the Forest (I thought Bambi was Prince of the Forest. I guess it’s like a Prince Charles vs. Prince George set-up where you wait your turn but have the same title). (Andy’s Fact Corner: Yeah, pretty much.)

A: Oh, well I guess that’s alright then, your majesty, no need to raise your kids or anything.

J: He just turns up and does the local women and retreats to his palace. Ugh.

Pause, as Jake sighs.

J: Oh deer.

At last someone did it. You can down your drinks now, folks.

Quick as a flash, there’s another stampede, this time more serious!

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A: Is this where his mum dies?

J: Wait and see, babe.

In the midst of the chaos happening around them, his mum can’t find him.

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A: Oh no, I feel like this is it.

She shouts for Bambi, but there’s nothing doing. Bambi is all alone, until as if by magic (or abandonment guilt), Stag Night comes to save him.

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As silence falls in the forest… a gunshot rings.

A: Oh no! Guess she’s dead then.

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Guess not. Turns out she’s fine.

A: Oh! Good fake out. They totally got me there.

Bambi asks what in the name of frig just went down in that there forest, yo. Bambi’s mum reveals, as we fade to black, that “Man …. was in the forest”.

J: Man! That was a quick getaway.

A: Man! I Feel like a Woman.

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We’re back, and now it’s autumn! The choir relay this information through wind noises, which again, I like a lot.

J: They’re not being subtle. They should get the choir to sing along… “Passage of tiiiiime”…

A: I hate autumn.

J: Why?

A: Its just constantly colder and colder, darker and darker. It’s miserable.

J: It’s a lot of peoples favourite season.

A: I’ve never understood it.

There follows, at this point, a lecture from Jake on the colour of leaves as they die – I tune out so massively that I don’t take notes of it, which Jake will later be slightly hurt by. I’m sorry, Jake. Please don’t leave me to watch Saludos Amigos alone. ❤

Weirdly, within a few seconds it’s now winter. The pacing is odd here. As you’d expect, everyone is having lots of fun in the snow, and it’s all very cute.

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J: When are we here?

A: I dunno, December?

J: Nah, later than that. Did you know it’s more likely to snow on Good Friday than Christmas Day?

Thumper is back, and is still awful. He brashly honks that “The water’s STIFF”! Jake chortles.

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J: It’s ice, what do they teach these kids?

A: Oh, I thought you were laughing at “stiff”.

J: That too.

Torvill and Dean’s Dancing on Ice!

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J: Have you noticed there are no sound effects in the whole film? The music is doing everything?

Well, butter my arse, I hadn’t noticed that.

A: Wow, that is actually really interesting!

No sarcasm. That is majorly cool. Anyway, back in the Forbidden Forest, Thumper is getting a bit touchy feely with Bambi, it’s kind of awkward.

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J: Does he fancy Bambi?

A: Guess they’ll be at it like rabbits.

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Flower is reintroduced, and is as adorable a little ragamuffin as ever.

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J: Is that a nickname that stuck, or did Bambi actually name him?

It’s getting mighty snowy in the Forest Whitaker, and as the snow builds and then fades, it gradually starts to fade into spring again. They’ve totally nailed this landscape stuff.

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J: This means he’s nearly a year old.

A: Aww, happy birthday Bambi! Bet his dad won’t get him anything.

All of a sudden – run! Guns are firing!

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A: Is this where his mum dies?

Jake says nothing. I fear for Mother TeDeersa.

Another gunshot rings, and this time I know it’s fatal. Mainly because we must be well past the halfway mark here. (Andy’s Fact Corner: We are actually just 20 minutes from the end. The pacing in these films is mad.)

A: Oh, she must have kicked it this time. On his birthday and everything.

J: Aww. Her carcass is going to be dragged off to make delicious venison.

You know what’s coming next. Mother? Mother!

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A: Aww, people go on about this, but seeing it in context, it’s really sad.

Finally, Deerspicable Me does the decent thing and turns up to take Bambi under his wing. He drops the bomb that mummy done died. It’s a right pisser for Bambi.

A/J: Awwwww.

Daddy Deerest sounds very foreboding.

J: Who voices him? Better actor than Thumper…

He takes Bambi off, and we fade out.

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And then back in, to later in spring. There thus follows a song entitled, I kid you not, “Let’s Sing a Gay Little Spring Song”.

This is hilarious. I laugh heartily.

J: Oh, come on, babe, gay had a very different meaning back then.

A: Nah, I like to think it means, let’s sing a really gay song like In The Navy or Spice Up Your Life.

The owl is back, still sat in his tree house like a sinister Bart Simpson.

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A: You’re still alive and Bambi’s mum isn’t? Get in the grave, owl.

Another scary, scary zoom on the owl’s face. If you don’t believe me…

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…yeah.

To see out Let’s All Sing About Willies, the owl presents his bum and then moans about it all.

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He abruptly falls asleep. Does anyone stay awake for longer than five minutes in the Disney canon?

A: More sleeping!

J: Not if Bambi can help it. Look at him! He’s so manly.

He’s not kidding. Bambi has had a growth spurt and gone through the magical sparkly adventure that is puberty. That explains the latest time skip.

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A: Oo, he has a manly voice now too.

J: He’s a little twink.

Stop the presses and crack open the champagne, because it’s not just Bambi… Thumper has been recast!

A/J: YAAAAY!

So has Flower, who’s also here!

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J: This is like a high school reunion.

A: The Forest Awakens.

They talk about everyone getting horny at spring. They are teenagers after all. In what must surely be the most ill-conceived conversation we’ve yet to witness in these films, the owl has “the talk” with Bambi. Pass the bucket.

A: Surely Bambi’s dad should be having this chat with him.

J: His dad’s too “important” for that.

The owl explains how you meet a woman, “and then you completely lose your head!”

J: Your penis head.

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It’s all very sinister indeed and more than a little overdramatic.

J: Is he trying to scare them into never trying sex? It’s coming across that way.

They all proudly declare to never have sex and dance away.

J: Let’s sing a gay little spring song, indeed.

This apparent Forest of Gaytopia isn’t to be however, as they all fall one by one to THA LAYDEEZ. First of all, Flower meets a lady-Flower. She actually appears in the flowers.

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J: Creepy.

There’s a certain chemistry.

A: She wants it.

This happens to Flower.

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J: He got hard!

A: Haha! Oh my god! They really hid that in plain sight.

Bambi and Thumper leave him behind to his lover of 20 seconds like a lesser Doctor Who companion and that’s the end of it. Now it’s Thumper’s turn, as he meets Jessica Rabbit.

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A: She wants it.

J: So far in this film, everyone has been constantly having babies or being pounded.

A: Yeah, it’s a weirdly sexual film, isn’t it?

J: They’re also playing this as the women hypnotising the men, like it’s all their fault. I don’t like it.

As for this imagery…

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A: Yeah, not very subtle.

Now it’s Bambi’s turn to get it onnnnnnnnnnnnnnn as U A Stupid Doe returns (remember her? It’s been a long blog this week). She’s called Faline and she too has grown up. She goes right in and licks Bambi’s face. He seemingly drops dead and goes to heaven.

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Interestingly however, a larger and more threatening deer also in the vicinity is NOT HAPPY and takes issue with Bambi.

A: Oo, they’re actually doing this realistically, with alpha males. This is very interesting.

FIIIIIIIIIIIIIGHT!

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A: What the hell’s happening with the lighting?

J: Evolution in action here.

A: You mean like in Fantasia?

J: You don’t say that word in this house.

Jake applauds as Bambi wins the duel.

J: You did it! Now go and take a woman as your prize.

Bambi don’t need telling twice.

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A: I love that cheesy fade-out as they head off to have sex.

The choir are back in the house to sing them to “sleep”, but before that there’s a whole load of dancing. The music is absolutely on point with them.

A: All this stuff with the Mickey Mousing is so clever. I genuinely love that.

Their dance goes on and on and on and on.

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J: Ugh, stop being such a tease.

A: I think they’re having sex the whole time here. It’s a metaphor.

J: No…. NOW they’re having sex.

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They kiss, and fade out. I suspect Jake may be right, and he looks curiously pleased for Bambi. Ew.

Something’s afoot the next morning. There’s a mood in the air. You guessed it, Man is back in the forest.

Martha My Deer turns up to crap out an exposition turd. Bambi and Staggie Thatcher are on a mission to the forest.

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A: Are they going to kill all the men?

Who knows? We’re yet to discover as we’re back in Forrested Development, where Faline wakes up and does a “MOTHER? MOTHER?” of her own. (Replacing “mother” for “Bambi”. Obviously.)

The mission is very much underway, and we see a pillar of smoke from the edge of the forest.

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A: What’s going on here?

J: Men.

A: Say no more.

But it’s too late. I know Jake too well to think I can do anything to prevent it.

J: Alright, have we got a weather forecast for you? Temperature’s rising… barometer’s getting low…according to all sources… THE STREET’S THE PLACE TO GOOOO.

Whilst Jake sets about enforcing every stereotype we try to avoid, a bird gets really scared of the oncoming men and flies off. It is shot dead and does a 10/10 faceplant.

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A: Shit a brick!

J: Whoa, that was dark.

A: That’s the first time we’ve seen someone get flat-out murdered on screen. I don’t think I liked that.

Dogs are chasing Faline through the forest now.

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J: This is genuinely terrifying.

A: It’s horrible…

Bambi has returned to the forest to defend Faline. He chases them off and the dogs head for Bambi instead.

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J: Don’t tell me he manages to fight off a whole pack of dogs…

A: Yep, he’s done it.

Well, I guess that’s that then. Disney film, I guess. Off they gallop, and they proceed to drop a load of rocks on the dogs.

A: So now all those dogs are dead. Is that…good?

J: They can’t talk, so they must be evil dogs.

Want a big spoiler? Here’s one for you. Bambi gets shot!

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As if things weren’t bad enough, the men proceed to accidentally burn down the whole frigging forest.

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A: God, this is really horrible!

J: Careless men.

Pause. Again, I know it’s too late.

J: They’re never gonna burn again, guilty men have got no rhythm…

A: Really, babe? Weather Girls AND George Michael within two minutes?

No I-Deer turns up to save Bambi from the flames and gunshot wound. Somehow. Woop! They run and run and run and run and run and run.

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J: Faster, Bambi, or you’ll burn! Aww, see, his dad does care about him.

A: It says something about how dark this is that I actually believe they might kill Bambi here.

The fire stops and everyone’s pretty much… “Well, shit”. Everyone’s alright though. Thumper and Flower didn’t burn to death, which is good news. Neither did the owl, which is good news in principle but somehow it doesn’t feel like it.

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J: Are you having a laugh? Will you just die?

Bambi and Faline are back together.

A: Aww, I’m glad he’s okay. He’s no Dumbo but he is very lovely.

We’re into an epilogue to see the film out. It’s very “nineteen years later, all was well”. Thumper has had four kids!

J: Bloody hell, they’ve been at it. Well, they probably had dozens and only four survived.

Jesus.

Everyone’s here to meet Bambi Jr and Faline Jr, who now exist, by the way.

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And in our final shot, we now see that Bambi is atop a cliff alongside his dad, who, true to form, promptly fucks off.

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J: Bambi’s abandoned his kids just like his dad! Er… yay!

Talk about a big finish. Get a load of this!

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A: Bloody hell, that’s an impressive ending though, that shot. Wow!

And with that, it’s over. Our overall thoughts:

J: Very pretty film indeed. Very unconventional plot. Lovely music. Bit boring but quite good! Not as emotional as I remembered though. I probably got more upset at Dumbo cuddling his mum than I did at any of that. Or maybe Bambi’s mum dying is so well known that it didn’t affect me.

A: I liked that a lot. Not as good as Dumbo or Pinocchio because it was just very slow and needed more of a story. Basically nothing happened at all until his mum died which was 20 minutes from the end. Very well animated though and really well made. Better than I expected.

That’s your lot, ladies and gents. And not only is that the end of Bambi, it’s also the end of our first era of the canon. You know how you’ve known the titles and plots and characters of all these films so far? They’re all classics, right?

Hehe. See you next week.

FANTASIA (1940)

It’s Sunday evening, and we’re settled on the couch drinking fake Coke and fake Fanta. They’re an improvement on the godawful nightmare that is Dr. Fizz.

We begin strongly, with an Art Deco rainbow-themed menu – an improvement! And well themed to our blog, of course.

Jake is so glad he doesn’t have to write for this one. He had a lot to say about Pinocchio – there’s just a lot of stuff in it – and he is very pleased that I’m taking over for this particularly long slog.

We skip the trailers, it’s already very late. Work in the morning. Apologies if you’re a rabid fan of the trailers bit. Come back next week.

Much nicer menu! Actual moving images for once, shock horror. All good signs thus far.

Jake spots Mickey Mouse cavorting amongst the various characters on the screen and is delighted to see him. I let him know that Mickey isn’t in most of the film, just to temper his expectations.

At this point, Jake learns about an orchestra being in the film (they’re glimpsed in the menu) and is completely thrown. I encourage him to just watch the film as he asks lots of questions.

We sigh at the handy note that the film is 124 minutes long  – is this the longest one of them all? (Andy’s Fact Corner: Yes. Yes it is.)

We open on a blue stage. The orchestra are filing on.

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Jake laughs at the random tuning up noises as the orchestra files on. It’s not the most cinematic of noises.

Jake: Is this where they play the PS3 startup theme?

Jake attended his first orchestral concert last week and learnt that the sound of an orchestra tuning is the same sound as a PS3 starting up. He has not stopped mentioning this.

As the orchestra become more clear, but still in silhouette…

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Jake: These are real people, not animated! They look like they’re in Smash Bros because they look really 2D.

I explain the concert concept of the film to Jake, as he looks increasingly befuddled at what we are watching.

He notices an excerpt from Toccata and Fugue whilst the orchestra tune up. I confirm this music is in the film and Jake looks extremely smug.

J: They’re tuning up in A, babe! I’m so proud of myself.

Jake is very happy at the opportunity to demonstrate his newfound orchestral knowledge, but is now bored of the orchestra setting up.

Deems Taylor walks in, to introduce the film to us.

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J: Is he going to sing?

I laugh.

An extremely tedious opening here. Taylor describes the concept of the film in extremely prosaic and dull terms.

A: Imagine if every Disney film opened like this – with a man standing on stage explaining the concept.

J: Why the music lesson? It’s all educational and strange.

A: That’s kind of the point.

Absolute music is explained to us (music that doesn’t have any particular meaning or attachment).

J: Like elevator music? I certainly feel like I’m in an elevator. Stop treating me like I’m an idiot, Deems. I am an idiot but don’t treat me like one. Imagine how patronised you would feel if you actually knew about music.

A: Yeah, imagine that…

I quietly ponder the Masters in film music I’m studying.

J: I do like the silhouette! It makes it look animated.

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This seems like wishful thinking, to be honest. Jake’s enthusiasm is rapidly waning.

The sound quality is RUBBISH, by the way. You can hear every one of the 76 years that have passed since this music was recorded.

Our first performance is Bach’s Toccata and Fugue in Dm – just colours and silhouettes for the most part, the point being this piece is supposed to conjure up images but nothing particularly tangible.

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Jake is throroughly nonplussed by it.

J: Strange way to start a film. Why start a film about putting stories to music with one that doesn’t have any story?

A: Good point.

Jake laughs at the orchestra’s motions, which we see against the backdrop.

J: The violinists look like theyre screwing something really fast.

Meanwhile:

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A: Oh, I do love a good harp.

I do though.

Jake is really, valiantly trying to engage with this.

J: Why these colours?

A: I don’t know. Maybe they had someone sat in a room just saying the colours they thought of. Maybe they hired a blind person.

J: Sounds like they hired a deaf person.

Minutes more of this pass in silence.

A: I have to admit even I’m getting bored of this now. Even though it’s great music.

J: Where’s Mickey? Does Deems Taylor turn into Mickey part way through the music?

We’re both amazed at the appearance of animation towards the end of the piece, but it’s still just about as coherent as Baby’s First Picasso Collage.

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J: Is this all still going to be abstract stuff?

A: Yes. Nice to see some animation though!

J: Yeah, blobs and lines, oh joy!

The bouncing shooting stars are very humorous to Jake. A low bar has been set, I feel.

A: The thing about this is that it’s super experimental, some of it isn’t working at all. I do love the concept actually, but it’s so strange. Isn’t it crazy this is a Disney film?

I’m going to raise a question here – hills or boobs?

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This is STILL going, dear reader.

A: I feel like I’m in one of those video theatres in a gallery where you get bored and wander out.

J: I feel like I’m on LSD. I wish I was, that would make it more interesting.

Jake starts making fun of the sheer inconsquential-ness of this with glee.

J: Oh, two blue lines. Now there’s three! Oh and suddenly there’s a path!

There’s a nice shot of a sky and pink hills.

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A: Ooo, that looks pretty.

J: No it doesn’t, it looks stupid.

The things from the menu re-appear and Jake realises…

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J: Look at the penises!

Even more well-suited to the blog.

J: Something else that doesn’t work is that the animation ability isn’t yet advanced enough to keep up with the music and do it justice. It keeps missing cues slightly.

A: It’s a good effort but it’s just too ambitious. It’s a mess of stuff.

J: Do they do this again in Fantasia 2000?

A: We’ll find out next year.

At this shot, I just can’t resist:

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A: Naaaaaaaaaaaa a men yaaaaaa.

I feel the need to applaud when this piece is finally done, if only because it’s over.

Jake christens Deems Taylor as Evan Davis, as he reappears to introduce the Nutcracker Suite. Jake correctly hums the Nutcracker, and with two out of two correctly identified so far, is really starting to get cocky.

Deems comments that the Nutcracker Suite is “Not very popular or performed these days” and Jake scoffs. (Andy’s Fact Corner: It wasn’t, in those days. This would have been thought of as an obscure choice for the film).

We open on a winter landscape. Far more imagery here already. And is that Tinkerbell?

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The music is gorgeous, of course. Who could not enjoy this?

Jake eyes Tinkerbell-a-like.

J: Not as impressive as Pinocchio’s fairy.

A: What, the almighty sun god?

DANDELIONS.

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Tinkerbell loses a bit of class throughout.

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A: So she’s digging into flowers? Is she a bee?

J: No, she’s a fairy, she likes flowers. (spoken in an extremely gay voice)

J: Maybe she’ll get caught in a web and eaten by a spider.

Jake frowns.

A: I like how they’re Mickey Mousing to music they didn’t even write.

J: Is this film where that term comes from?

Is it????? Even I’m not 100% sure on this so Andy’s Fact Corner is staying well away. We remain in the realm of facts.

Elsewhere, DANCING MUSHROOMS.

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Jake is nonplussed again.

A: Awwww the baby mushroom.

Jake’s picked up on something I have not noticed about this.

J: Oh, god. Look at the eyes…. Awkward.

We move on from this swiftly.

J: Why is it called the Nutcracker?

A: It’s about a nut cracker.

J: Oh.

…..

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J: What’s he talking about, this music isn’t popular?

A: The 40s was a very different time for classical music.

J: 76 years ago. That’s a whole grandma ago.

Flowers are now on the scene, and they’re doing the full mushroom and dancing in a circle.

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A: Circles again.

J: To be fair, it’s not like a flower can do a rumba.

A: I’m expecting harsh marks from Len and Craig.

Later in the Suite, we get…

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A: A fishy!

J: It’s a bird.

A: It’s underwater!

J: Oh yeah.

Obviously, I can’t resist:

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A: DA SEAWEED IS ALWAYS GREENER

Jake ignores me entirely.

J: He looks exactly like the fish from Pinocchio! Maybe this is a prequel, all about the fish.

A: Fish One: A Pinocchio Story.

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J: Oo, look at those sexy fish, dancing behind the revealing curtain. Look at them being all seductive. Why are all these fish clearly female? Are there no male fish in this world?

More fish arrive.

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A: Oh, there they are.

This just sort of keeps going for ages.

A: This is extremely hypnotic.

J: I think Walt Disney had an attraction to fish.

A: Like Troy McClure.

J: This was probably a bit raunchy in 1940.

A: I don’t think an animated fish was ever raunchy.

J: Look at it though! It’s being all slutty. It’s the Jessica Rabbit of the fish world.

Suddenly, thistle party!

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A: This reminds me of Home Alone, where he comes down the stairs on the sledge. They use this music. I think.

I really wish I was watching Home Alone right now. This is painfully slow.

J: Oh, I’m sooooo bored of watching flowers dance. Oh look, actual flower pose.

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One last little segment here, as a bunch of fairies do the whole Torvill and Dean, albeit stopping short of creating a celebrity ice-dancing show of which my mum will be the world’s biggest fan.

J: Is there only these three segments? (He knows Mickey is imminent).

I laugh heartily.

I marvel at the animation again.

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A: This doesn’t look like Disney at all.

J: None of it does – especially not the beginning with the real people.

For the first time, I can’t resist to sing along to the music. If you know the Nutcracker, you’ll know the struggle. Jake is now getting restless and is not enjoying himself enough to be singing.

J: Oh, the fucking fairies again. They are too skinny, it’s an unrealistic depiction of women. Also, they’re naked.

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He laughs as they glide away.

J: They look like hundreds of women with massive dresses.

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I have very little to say. I’ve made every comment I possibly can about this.

J: If I was in the cinema in the 1940s I would have walked out by now. You don’t make a film that just has no story. The whole point of a film is to watch a story.

I decline to start this potentially massive debate, but given this is Disney, I agree, to be honest.

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J: Hey look, Frozone! You know, this all looks a lot like Bambi, actually.

A: That probably is the reason they made Bambi, I reckon. It looks exactly like this.

It’s over! Back to reality where Deems greets us once more.

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A: I’m really sick of seeing him. Do we really need this? Can they not have a bit of confidence in what they’re doing?

Jake just can’t stay interested in these parts. He switches off entirely.

But fear not – it’s time for the Sorcerer’s Apprentice!

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A: Here we go, babe. An actual story!

J: About a broom carrying water. Oh, that magician! He’s in Kingdom Hearts! (Andy’s Fact Corner: What do you know? He is!)

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J: Mickey!

A: Mickey! Thank god you’re here.

Mickey’s mentor is whipping up a weird concoction.

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A: Wonder what the wizard is brewing. It doesn’t look nice.

J: A bat made out of steam. Oh, now it’s a butterfly.

Pause.

J: Schmetterling.

Jake likes to talk sporadic German.

The wizard abandons his hat and abruptly fucks off.

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A: Oh, that’s super safe.

J: Aww, that hat’s so famous.

A genuine smile from Jake for the first time in a good half hour.

Mickey sneaks up and takes the hat, reading a spell and beginning to practice it in no time.

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J: Mickey, you cheeky bugger.

A: He’s already doing non verbal spells, he shouldn’t be able to do this until Half-Blood Prince.

J: He’s not really doing magic, just waving his hands at a broom.

A: A broom which has now come to life.

It has, you know.

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J: The same spell as Pinocchio, apparently.

This hits me like a ton of bricks.

A: Oh my god! It’s actually the same spell, that’s where she learnt it! Amazing. A link between the two films!

Major points earned.

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Jake adores Mickey, as I knew he would.

J: Look at him, dancing about with his robes like they’re a dress.

A: He’s so cute.

After bringing brooms to life to pour water into a fountain for him, Mickey takes a nap and we’re into a dream sequence in which Mickey lights up stars and even whole galaxies.

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J: Aww, lovely dream of being an all powerful, reckless god.

Jake is thinking.

J: Ansem… is that the name of the magician? (Andy’s Fact Corner: Yes.)

Jake really enjoys the twist where Mickey wakes up to endless brooms bucketing water into a now-flooded room.

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J: Maybe he really badly weed himself.

A: If he did actually drown here, he would have to admire the delicious irony of his death.

Jake is mortified by the violent death of the broom which ensues.

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J: I can’t believe he killed him! What a heartless bastard!

This time, it’s personal.

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A: Oh, this is actually really sinister. What’s with the weird art style there? Yeah, get your revenge, brooms, for your fallen father!

Mickey tries to empty one bucket at a time as the situation turns dire.

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A: Give it up, Mickey!

This is actually very tense, and a thought occurs.

A: Would they ever be brave enough to actually kill Mickey, do you think? I feel like this film would do it, it’s so bloody weird.

Jake just nods and watches, transfixed.

A: This is really good, actually.

J: Yeah, it’s an interesting story. Better than the first two, but that’s not hard. Where’s Ansem?!

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There he is. And with a throw of his hands–

J: Is he parting the sea? Is he actually God?

A: You mean Moses?

J: God parted the sea, Moses just asked for it.

A: Oh. Alright.

J: God, babe.

A: Moses, babe.

It comes to an end (spoiler: it ends with Mickey getting spanked) and we’re on stage with Leopold Stokowski, conductor of this whole affair and… Mickey?!

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Yep, Mickey’s on stage, and shakes Stokowski’s hand, says congratulations and is applauded.

A: Congratulations for what? Applause? What was that about?

Next we have a truly excruciating random comedy bit with people dropping the percussion. Jake is not impressed and roars with laughter at the badness.

Deems Taylor introduces Stravinsky’s The Rite of Spring, which will play over Disney’s Entire History Of You. I tell Jake to listen to the inacurracies that have since been discovered in this monologue.

To be clear, Taylor is now literally telling us the entire history of the world. He also says “dinoSOWER”. Did everyone used to say this? (Andy’s Fact Corner: No. They didn’t.)

J: So, suddenly a science lesson.

A: Strap in, we’re going to watch the entire history of the universe now.

“The T Rex is the worst creature of them all”, comments Taylor.

J: I don’t know, Hitler is conquering the world right now for them.

Jake is utterly baffled by Taylor’s comment that “no one knows what happened” to the dinosaurs, and his suggestion of a weird theory in which they were killed by drought and dustbowls. I pull a real life Andy’s Fact Corner here and tell Jake that yep, the meteorite theory was simply not around yet.

J: How bizarre!!!

Biggest reaction of the film so far from Jake.

It begins. Farewell forever.

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J: So, in the beginning, the Milky Way just appeared. I’m going to take this with a pinch of salt.

Jake hates the science of this, if you hadn’t already gathered.

A: Be fair, this is the knowledge of 76 years ago.

J: Science didn’t think this crap 76 years ago, the average person’s understanding was just far weaker. It doesn’t get a pass.

A planet comes into view.

A: Ooh, hello Earth!

There’s an extremely effective zoom in that is very much like the ones they used to start Doctor Who episodes with. You know the ones.

J: They fail to mention how the Earth was created, I notice.

A: By god, of course.

I ponder this.

A: Actually, maybe that’s the issue. Maybe they were worried some god botherers would be bothered by the godlessness.

We’re surrounded by volcanoes now and I make a Revenge of the Sith joke. Goes down like a lead balloon. (Andy’s Fact Corner: It was an excellent joke, in which a tiny Obi-Wan could be spotted yelling “YOU WERE THE CHOSEN ONE!” In this scene. Top-drawer stuff and that is a fact.)

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A: They haven’t half gone from one extreme to the other here. From blotches and lines to the entire history of the Earth!

J: With a lot of volcanoes. When are we going to get to oceans? I’m bored at this one now.

A: Only millions of years to go.

J: Billions, babe.

A: Would you rather watch these billions of years in real time, or watch the opening sequence again?

Jake laughs heartily – and eventually decides on the billion-year option.

A: Don’t you worry babe. Later on we’ve got cute dancing hippos.

This doesn’t help Jake very much. However, here’s something that a few minutes ago, I would never have imagined possible:

J: They’re rushing this a bit.

A: Is it possible to not rush this a bit when you’re doing billions of years in 20 minutes?

J: You could just not do it. That would solve the problem.

We have very little to say for a while. It’s things evolving slowly with no dialogue. What do you want from us, jeez.

A: So I take it you prefer Pinocchio?

J: A little bit.

Single celled organisms are now roaming this new world.

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J: Oo, they’ve even got a little nucleus and everything!

A: Is this bit more accurate?

J: Eeeeh. Have you ever played Spore? It looks a lot like Spore.

Once again…

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A: UNDER DA SEA!!!!

And once again, zero reaction. It’s almost like 5 years of companionship has de-sensitized Jake to this.

J: It’s weird to think we all evolved from sea creatures. I could have been an eel. I’d rather be an eel than watch this.

A: Have you bloody cracked? Pull yourself together.

The first animal breaks the surface.

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J: Oo, a turtle!

A: Wonder if that turtle knew a film would be made about him.

Even I’m starting to struggle now.

J: So they don’t know how the dinosaurs died out, but they’re going to show it in this?

A: They have a theory, I guess. To be honest, I’m prepared to let it slide. They didn’t know.

J: They could have at least been creative and said they all started a great dinosaur civil war or something.

A: Maybe they watched this and all died of boredom.

J: Don’t be silly, this didn’t exist then. Dinosaurs can’t animate. They don’t have hands.

The level of our conversation tonight, ladies and gents.

Finally, something a bit more Disneylike:

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J: Aww, a cute baby dinosaur! It’s like The Land Before Time. Eh, maybe I’m just pining for a more interesting experience.  I’m confused, how did they listen to this piece and think “dinosaurs”?

A: Yeah, listen…

I quietly sing Jurassic Park. Finally, I get a riotous laugh out of Jake.

Someone must have called Marc Bolan because here comes a T-REX!

There’s a startlingly violent murder which follows.

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A: This is the weirdest film… it’s like a sort of Disney version of a Bible or something. It’s like it’s outside of what we would ever see as Disney, it’s so surreal.

J: I can’t believe we just saw a dinosaur murder another dinosaur in a Disney film!

As the music reaches a dramatic climax, Jake loudly and potently farts. The timing is both unplanned and impeccable.

It’s suddenly very sandy on planet Earth.

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A: Oo, I sense a dustbowl. And a drought.

J: This is the basis for Dinosaur, which we’ll get to see next year. (pauses) This actually DOES happen in Dinosaur, where they’re all looking for water. Why do I remember that?

A: Disney just can’t do a good Dinosaur film, can they? This, Dinosaur, The Good Dinosaur?

J: To be fair, I would never name the genre of this as a dinosaur film, if you ask someone what Fantasia is about they wouldn’t say dinosaurs.

What WOULD they say this film is about? Andy’s Fact Corner can’t handle that one.

Finally, the dinosaurs die. And with an enormously over the top and rushed explanation of world geography (?!?!?) we are finally done with this part.

At this point, I know something’s about to happen which will mightily piss Jake off. Deems Taylor announces a 15 minute intermission.

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A: So. He isn’t joking, babe. We’re having a 15 minute intermission, for real.

J: …..what?

A: So, we can leave this playing and take a loo break. Or we can push on and trim 15 minutes off the film. Or… we can take the nuclear option and carry this on tomorrow.

I’ll give you three guesses what we did. I apologise. It was so late and we were no longer having fun. It was for the good of the blog that we refreshed ourselves and banished Deems Taylor from our minds for a while.

The next day:

We are sat on the couch once more, with Jake refreshed but still struggling to commit to this. He’s looking at Scottish towns on Google Maps, which just about sums up Jake’s interest in the remainder of Fantasia.

Nonetheless, I persevere and we quickly fast-forward to the end of the 15-minute (read: many-hours) intermission.

Deems Taylor patronises the living balls out of us by introducing us to an indispensable but shy member of the cast called “the soundtrack”.

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J: I hope he gets crushed to death by that harp.

Jake looks like someone is teaching him that 2 + 2 = 4 in baby voice, as this condescending guff goes on.

Can I point out again that I have a frigging degree in Music and I am here watching a man from 1940 explain the sounds of different instruments of the orchestra through this kind of imagery.

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Sod off, Deems Taylor.

A: I have nothing to say. This is ridiculous.

Jake just giggles in bemusement.

J: We just spent 5 minutes looking at a dancing line.

A low point for the entire project, it has to be said. I’m gliding over this because it’s not worthy of our valuable insights.

Next up, we have Beethoven’s Pastoral. We open a beautiful countryside scene.

J: The countryside of Germany.

J: Deutschland.

I’m mildly perturbed by Deems Taylor’s funny language once more, as in his opening he refers to these

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As CENT-OWERRs. I mean, they’re just not.

Deems also mentioned that the goddess Iris will appear here.

J: How about… Venus, goddess of love, GODDESS OF LOOOVE? Take me to your planet, take me to your planet, take me to your Venus…

We like Gaga.

Baby unicorns! Baby centaurs!

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J: Aww, look at these cute little baby unicorns.

It gradually emerges that this is basically an acid-fuelled Care Bears mixed with The Chronicles of Narnia, which is not exactly what was expected.

J: I get the feeling that Beethoven didn’t quite have this in mind.

A: At least he didn’t have blotches and lines in mind.

There’s also a dark horse.

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A: I think he’s the dark horse of this story.

Nothing.

We discuss Fantasia 2000, many months ahead of us, and we’re both much more hyped for that one, for various reasons.

A: They have Rhapsody in Blue in that one. It’s great.

J: It isn’t this film, so I’m looking forward to it.

We’re pretty confused by what is supposed to be happening in this one, it has to be said.

J: Why does that horse have dark red eyes? He looks like a demon. He doesn’t fit in.

Jake accidentally presses fast forward at this point with his bum and chooses not to rewind again. A minute is lost.

J: Oh what a shame.

Later:

J: This makes me glad Beethoven is dead so we didn’t have to watch any more of this.

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THERE ARE WOMEN WITH BOOBS OUT. OOOO, LET’S HAVE MORE OF THIS EH FOLKS, AMIRITE FELLAS?!

J: What?! Animated breasts?! This is too much for 1940.

A: No nipples though.

J: Oh no, that would be too much.

The women are revealed as centaurs in a nightmarish version of the Ursula Andress/Daniel Craig “emerging from the ocean” shot.

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A: Oh, that reveal was hideous. Christ alive.

Also this:

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J: That dark patch makes it look like she’s shit herself.

We kind of wander off the point from this moment on. There just isn’t much of any value happening, I’m afraid.

J: You know, I was just thinking, the other two films began with a live action book. Deems Taylor is the book.

This is an interesting thought, but I’m distracted throughout the rest of this sequence by an astoundingly smelly fart from Jake.

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J: Look at all these sexy centaurs of different colours. Collect them all! First sexy dancing fish and now sexy dancing centaurs. Kind of creepy that the naked babies helped them tart up.

A: Can you stop making horrible things of this? Can’t you just enjoy the niceness?

J: It’s not nice, it’s boring, I have to make something of it.

The colours of the coupled centaurs match up – awkward. Nevertheless, this is about as edgy and nail-biting as the Queen reading Beatrix Potter in a hospice.

A: This is…. nice. I just wish something would, you know, happen.

The blue centaur looks startlingly like a young Genie. He’s very gloomy about something.

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J: Maybe he’s sad because he’s gay, and he’s not allowed to be gay in this era.

One woman refuses to be seduced by her man, and babies are playing to her to persuade her.

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J: They’re ensnaring her, she doesn’t want to be with him, let it go. This is creepy.

A: Blame the music, not this.

She relents.

J: So 1000 “no”s and one “yes”, means “yes”. Congratulations, babies, you successfully coerced a woman.

The sequence ends with this…. memorable shot.

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A: Baby’s bum… turned into a heart?

Jake moans as he thinks it’s over and then it fades back in.

J: God, to think Disney produced this pile of shite.

A: it’s pretty damn boring, I’ve got to admit.

J: It goes to show why you compose music for films and you don’t compose films for music.

Nail on head, I reckon.

I think you get the gist of this whole piece by now. To fill you in, eventually, we suffer about six whole minutes of people going to bed. We also get a randomly thrown in conflict with Zeus which I just don’t have the will to recap, and we also get moments like this –

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–and this.

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J: Babe, promise me we never have to watch this again. If I ever say “let’s watch Fantasia”, punch me in the face.

You have it in writing, folks.

For the first time, we are delighted to see Deems Taylor, as we’re finally moving on.

Dance of the Hours is our penultimate piece. You definitely know this one.

I’m fairly sure Jake will like the last two segments. Judging by his state of mind regarding this film, however, my hopes are not high.

J: I’ve never hated someone as much as Deems Taylor. He’s introduced so much misery to my life.

Jake calculates where we are in the film.

J: Is this the one with the dancing hippos then?

I nod joyfully.

An elegant ostrich takes the stage as we begin.

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J: An ostrich can’t be a ballerina, that’s just impractical!

A: Don’t tell her what she can’t do!

The inspiration here is fairly on the nose.

J: They’ve turned a ballet into… an actual ballet. A bit uncreative.

A: Didn’t you just a few minutes ago have a go at them for making Pastoral into a story about unicorns and centaurs?

J: There is a mid-ground.

The ostrich is very dainty!

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As the music begins, we sing along instinctiely, as all 90s children worth their salt would, with these words:

A: Hello mother…

J: Hello father…

A: Here I am at…

J: Camp Granada!

A: Marge, is Lisa at Camp Granada?!

We chortle and ponder our gayness.

It’s all very light hearted and throwaway, this one, but probably the most easily watchable one apart from Sorcerer’s Apprentice.

At times though, it’s… very, very light.

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J: We’re watching ostriches chase a bunch of grapes.

A: It’s pretty low-stakes.

Suddenly a HIPPO.

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J: How did she fit in there?

A: The incongruous image of a hippo in a tutu is just so damn lovely though. This segment is really nice.

J: For a hippo, it’s quite a graceful dancer.

A: It? Clearly a she.

Jake Explains Music, Part 1:

J: See, they’ve put the lower notes for the hippo, because hippos are large.

There are elephants blowing bubbles. Then this gruesome shot sticks out slightly:

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A: There’s a weird emphasis on bums in this film. First the baby bum-heart, and that big lingering shot on this hippo’s arse.

A hippo is kept afloat by bubbles – I know what’s coming.

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J: That’s NOT how bubbles work.

They’re all blown away all of a sudden.

J: Do you think Sneezy just sneezed?

Yeah, we’ve seen this before.

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34

Then, there are crocodiles on the scene. They wear a familiar guise.

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A: Dressed as Red Riding Hood because…. Reasons?

J: All the better to dance with, my dear!

Jake figures out where this is going.

J: To be clear, can we assume that crocodiles eat hippos?

A: Yes, let’s assume that. (Andy’s Fact Corner: Crocodiles would stand no chance against a hippo. None at all.)

Before long, however, the crocodile and hippo are dancing together.

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A: Did you ever see Ann Widdecombe and Anton du Beke on Strictly?

It’s all an act, though. The crocodile hungers for meat. Run, hippo!

There’s a bit of a runaround and then the whole building collapses and it comes to a sudden end.

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That was… a curious one.

We both breathe an audible sigh of relief as we reach the last piece, a medley of A Night On Bald Mountain and Ave Maria.

One comment made about the devil’s servants, which we will see later, is “They all dance furiously for their master, until the break of dawn”.

J: This one’s set in a gay bar, them?

Straight into the action, and the ACTUAL DEVIL has come to town! Talk about a dark film. A village is getting wrecked.

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A: How on Earth did they get away with this?!

J: Ehh.

A: It’s the actual Devil vs actual God!

J: So?

A: You would never get away with this in any other Disney film!!

J: I guess.

Jake has mentally checked out. It’s all over.

The devil does all sorts of horrible crap. The dead rise from their graves, demons stalk their streets, naked fire women – and more bums!

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J: I was promised furious dancing. Where’s the glowsticks, the raving?

The dancing happens. It’s underwhelming.

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J: This is really creepy, isn’t it? Something tells me if Satan was really around he would be a bit more subtle than this.

A: Genuine question – is this for children, this film? I honestly don’t think it is.

J: No, I don’t think so, but we’re still at the very beginning of Disney here.

A: So they just didn’t know what they were doing yet?

J: I think they’re pushing things as far as they can and seeing what they can do and get away with. They’re doing what would normally go down as R rated stuff just to try it.

To prove the point, here we’re treated to FULL ON DEMON BOOBIES.

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Satan is interrupted by God. This is actually happening.

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A: Wow, talk about bringing out the big guns. God’s here.

Some bells chime, light shine, and the Devil and his minions are out of this joint like nuns in a brothel.

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J: Oh no, not the power of prayer!

A: Just like that, all the conflict’s over. Deus ex machina.

J: Have they finished partying now? I thought God wasn’t vengeful, they shouldn’t run, right?

A: Presumably he’s the bouncer in this gay bar.

J: God intervenes when things are getting too rough.

We finish on a hymn and Jake has just had god damn enough now. He sighs very deeply. Hymns are one of Jake’s least favourite things at any time, and now… not the best timing.

Pigrims of God cross a bridge to… somewhere. Heaven, presumably.

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J: Well, this film is now water under the bridge.

Huge laugh from me. Jake knows me inside out.

We finish Fantasia, at long last, on a very, very, very, very, very slow fadeout – the world’s slowest final shot, I reckon – and it reveals lots of pilgrims walking and that’s just it and the whole film’s over BOOM.

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Fin.

Final thoughts.

J: I would watch Snow White again instead of that. That was unbelievably dull. Everything was wrong. It was everything a film shouldn’t be. There is a reason musicians don’t write films.

A: I thought that was spectacularly boring, more than I ever expected. So disappointed. Let’s not revisit that one.

Onwards to Dumbo!

PINOCCHIO (1940)

Andy has suggested a ban on phones during our next screening: Pinocchio.

This did not go down well with the crowd (i.e. me). While I understand his concern for my ability to concentrate, I remain sceptical regarding his own understanding on just how boring the last film was.

Okay, Snow White is a classic, but it’s 2016, and I find it difficult hold a conversation without checking out the latest haps on Facey B – let alone watch a film about seven rather-small, rather-unhygienic men.

A: Just put your phone away.

J: Whatever …I’ve lost it anyway.

The point is now moot.

Andy is drinking fake Fanta; I am drinking fake Dr Pepper. You can tell its fake Dr Pepper because they call it Dr Fizz, which, in my mind, isn’t a very good attempt at avoiding the similarity between itself and the supposed original. It tastes like asses.

First DVD Menu:

A: BLAND

J: Yeah, it has nothing on Snow White’s sex-dungeon-mirror.

There’s a general trailer for Disney films showing. Most of these films we won’t get to see for a long time yet – some not at all.

J: What’s Narnia on here for?

A: I didn’t even realise it was Disney.

J: Oh, look, Snow White!

A: Weird – it’s sort of like ‘Last week on gaysdodisney…’

J: Ha, wouldn’t it be creepy if we suddenly appeared on the trailer, like Goggle-box? As if Disney knows we’re slating them.

We both breathe a sigh of relief at passing the first hurdle.

A: I’m so glad we’re not watching this again. This trailer is better than the film!

J: To be fair, all twenty seconds of action from the film fit rather nicely into this trailer.

Andy says we should stop watching trailers now – then one for Up! appears and he gets excited. I point out his hypocrisy.

J: You just said you didn’t want to watch any more trailers.  

A: But it’s Up!

J: We’re not even gonna watch this film

A: Aww, that’s true. I wish we were.

J: That would be less entertaining. Up is too good to take a crap all over in blog form.

We begin the actual film (finally), and a familiar tune begins to play.

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J: Is that Wish Upon a Star? I didn’t know that was from this film.

A: How did you not know?! It’s in the whole film.

J: …I’ve never actually seen this before.

A: What?!

J: My knowledge of this film starts and ends with Kingdom Hearts.

Andy sings along to the opening, munching crisps. I am not munching crisps, as I am double-stuffed with Oreos. It turns out there’s a familiar character signing the opening.

A: Hey, isn’t that Jiminy singing the opening?

An animated book begins the story, just like in Snow White, except this time better because it’s not Snow White (last time, I promise).

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A: Hey, look, behind the book, there’s a copy of Alice in Wonderland and Peter Pan!

J: Wow, that’s cool, those films aren’t coming for a while!

A: They must have already planned them beforehand.

J: In that case, I can’t wait to see a copy of Zootopia in Dumbo!

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The cricket-man begins to paint the picture of the story – telling us how we should all believe in magic. It feels patronising. I find the irony of an imaginary animated cricket-man telling us to believe in magic to be rather amusing.

Jiminy begins to read us the story of Pinocchio.

A: So, Jiminy is part of the story, but he’s also giving us the synopsis of the story by reading the story from a book? That’s very confusing.

I ignore Andy’s analysis to rant like a vegan for a moment.

J: What makes Jiminy smart and able to talk? He’s a cricket. Who governs this world were certain animals can talk and others can’t? Do they only eat the non-smart animals that can’t hold a conversation?

A: I don’t know, babe. Stop trying to be vegan about it.

I feel like this is a point of contention that I won’t let go of throughout our adventure.

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As the story begins with Jiminy hopping across the ground, we can’t help but both admire how much better the animation is this time around.

J: The quality is so much better already in this film.

A: They made a big jump in technique in just three years!

As cricket-man dances, we catch our first glimpse of the main man. He’s not alive yet.

J: If he’s not alive yet, does that make him dead?

A: Huh, I guess so. Sort of.

J: So, this is a film about a wooden zombie.

We can’t help but notice that the dead-wooden-boy is pretty terrifying as a puppet.

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A: Jesus – don’t bring him to life!

At this point, Geppetto  paints a mouth on the now smiling dead-wooden-boy, while our cricket-friend is trying to pull a porcelain chick.

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J: He just did some very inappropriate groping!

A: He thinks he’s Donald Trump.

Geppetto names the wooden play-thing Pinocchio, but pronounces it like Gnocchi.

J: Geppetto pronounces his name like he should be made of potato and flour.

Jiminy is almost crushed by cogs on his pursuit of porcelain happiness.

A: It would have been a much shorter film if he got crushed.

Geppetto dances around with Pinocchio, it what can only be described as actually pretty heart-warming and nice. We then see some images of the dead-puppet-boy stretched through a fishbowl and resume normal terror.

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J: I think that is what my nightmares are made out of.

I notice that the cat waltzing around is called Figaro (GALILEO!). Andy begins to moan about how we don’t yet know where and when this film is set. I quickly shut him down by reminding him that this is a film about a talking plank.

(Andy’s Fact Corner: The film is apparently set in Tuscany!)

Soon everyone is yawning and it’s time for bed. Bizarrely, the fish wants a goodnight kiss from the cat.

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A: This fish obviously doesn’t understand the food chain very well.

J: Oh look, a large star. I wonder what’ll happen next.

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Geppetto makes a wish. For a boy.

J: Ah, a classic story about a paedophile

A: I refuse to believe the first character I’ve liked in this series so far is a paedo.

J: I bet that cat feels undervalued now Geppetto’s wishing for someone else

A: Yeah, sort of like a little brother or sister appearing. Not that either of us would know how that feels.

Both of us ponder how our siblings must have felt receiving non-wooden brothers for a moment.

After a spot of Disney-astrology, the characters sleep. Gepetto snores loudly.

J: Hey, he’s just like me!

I smile. Andy remembers many a sleepless night and does not reciprocate it.

Suddenly, the star falls from the sky.

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A: It’s a meteor! Everyone run!

It turns out the star is a fairy.

J: Are all stars fairies? Are fairies the size of suns, now?!

A: This enormous woman will devour us all!

Fairy-sun-woman gives life to the not-so-dead-plank.

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J: If Geppetto is a paedo, this will backfire horribly on the fairy.

Pinocchio awakens and realises he can talk.

A: If Pinocchio is surprised at himself talking, does that mean he remembers life when he couldn’t?

J: That would add a whole new meaning to a lot of wooden toys.

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As soon as the fairy-queen has arrived, she does some nattering, then vanishes. Presumably resuming her life at the centre of a solar system.

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J: Why are fairies imbued with such power! She created life, she’s literally a god.

A: Yeah, I guess Geppetto’s a bit of a dick for not wishing for world peace or something.

Suddenly, Jiminy gives himself the status of Pinocchio’s conscience and begins to teach him about the most important thing your conscience can tell you. Whistling; via the medium of song.

A: How is Pinocchio going to whistle? he’s made of wood. He doesn’t even have lips!

I refrain from pointing out that wooden men also lack vocal cords.

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Our wooden ragamuffin tries, but ultimately fails, to whistle. It seems not having lips is a disadvantage after all.

Andy can’t help but sing along as Jiminy bounces on a saw.

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A: Huh, that saw probably cut down the tree that made Pinocchio.

Meta.

During the song, there are many wooden toys that don’t have life knocking about. Jiminy tries it on with all the ones that look like they could be females. Such vulgarity leads Pinocchio to trip over and bring the song to an abrupt end.

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This also wakes up Geppetto, who is startled and wanders around for a bit with a gun before finding out that the piece of wood he just painted suddenly talks to him.

A: I bet he’s gonna freak.

J: To be fair, imagine if you woke up and found your toys were wandering around your house at night.

We are both shocked to find that Geppetto is overjoyed at this turn of events. Obviously he’s never seen Child’s Play.

A: This is just such an improvement. The characters have soul, everyone is warm and friendly.

J: I find it difficult to understand where the conflict is going to come from, though. This single scene has lasted way too long, too.

The scene was going on for too long; but it was nice. Pinocchio played with his new friends, and the fish got the kiss it wanted so badly. Or it tried to eat Figaro’s face – you decide.

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Suddenly, only hours after existing, Pinocchio goes to school.

A: Geppetto hasn’t thought this through clearly. The kids at school are going to freak when a wooden boy turns up.

J: Yeah, has he even enrolled Pinocchio? He literally only just started being alive.

The miracle here, though, is not Pinocchio’s miraculous journey into education, but the fact that there are suddenly other people in this world. This is a big deal – Snow White literally had five characters (the dwarves  count as a single entity, at best).

J: Oh my god, people exist!

A: This is literally the first time we’ve seen strangers in a Disney film.

We are as shocked at this as Pinocchio is intrigued at the existence of apples.

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The apple-joy doesn’t last long, however. Robin Hood appears and makes his nefariousness obvious to everyone.

A: Obvious villain is obvious.

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Fantastic Mr Fox sees the poster for a puppet show, then crosses a puppet walking to school. The sheer coincidence of this is not lost on either of us – nor on Brer Fox, who manages to put two and two together and come up with dollah.

A: Huh, I wonder how an advert for a puppet show could possibly fit into the theme for this movie?

J: A bit of a coincidence that the only advert we’ve seen is for a show based on puppetry.

Generic Disney Fox is tempted by his fixation on dollah and tries to seduce Pinocchio with the promise of fame and fortune. It works. But then again, his real name is Honest John, so who wouldn’t trust him?

J: This wooden boy, who is literally only just alive, has only just been told about basic concepts such as apples and other people, yet he’s tempted by fame and fortune? He shouldn’t even know what those are!

A: There’s a few logical inconsistencies, but I think I can forgive that of a talking tree child.

There’s a bit of silly slapstick that goes on with Generic Disney Fox 2. It’s all a bit naff.

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Mr Fox the 2nd takes a deep look into a small boys pants. Nick Wilde eats Pinocchio’s apple. Pinocchio is unimpressed at this.

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Before we know it, Pinocchio is swept off his feet and kidnapped by Johnest Hon. Jiminy is a bit of a useless trollop at this point, and only just realises he’s disappeared.

J: Kidnapped on his first day of school. Talk about bad luck.

A: This could have all been avoided if Geppetto just walked him to school. The Sun would have a field day reporting this.

J: Imagine the headlines: OLD GIT ABANDONS WOODEN TOT – GETS SNATCHED BY CRACK FOX

Despite Jiminy’s best effort (i.e. no effort), Pinocchio goes off to find stardom – along with a new apple.

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Within the space of a few seconds, we’re seeing Pinocchio’s first performance as a seemingly new stage puppet. His first act as an actor is to fall flat on his face. Andy laughs at this – so does the audience.

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J: Why are you laughing? This kid just got kidnapped and fell on his face the first time he stepped on stage. It’s really quite sad.

I needn’t of worried, as Pinocchio pulls of a stellar performance by covering Age of Ultron’s There are no strings on me.

A: This takes a weirdly dark twist after watching Avengers 2.

We see Pinocchio dancing with other, less stringless puppets. A thought occurs to me.

J: This must be terrible for him, watching lifeless versions of his own kind being manipulated with strings.

Again, I needn’t of worried, for at the ripe old age of one day old, Pinocchio experiences his first bout of sexual arousal.

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A: Can a person made of wood even get wood?

Unfortunately, this vital question remains unanswered.

As Pinocchio rakes in the dough from his first performance, Jiminy gets a bit haughty and leaves. Remarking “What does an actor need a conscience for anyway?” We both chortle.

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Meanwhile, back in scene one, Geppetto realises it probably wasn’t a good idea to leave his one-day-old son on his own, and ventures out to find him in the rain.

Overjoyed at the idea of being the centre of attention again, Figaro tucks into a hearty fish meal.

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J: He’s eating a fish, despite the fact that he’s friends with a fish?!

A: That’s weird. Imagine if I ate one of your friends…

I think about this for a moment.

J: I would not be impressed.

No matter, the fish is unfazed by this, and is instead enjoying their floating piece of cake (?!).

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Watching your own kind being eaten is not enough to dissuade this fishy from true love. Very Disney.

As Geppetto leaves, he’s wearing a red hat.

J: Gepetto looks a lot like Santa with that hat and beard!

Andy can’t ignore this observation and explains how the concept of a red Santa does not yet exist. I am not amused. (Andy’s Fact Corner: The concept of the red Santa was popularised in 1931, on further inspection, so Jake is correct that he does look like Santa here.)

As we move back to Pinocchio we see that he’s being harassed by Villain Number 2 – the fat controller of the puppet show. He eats an onion whole and is called Stromboli, with a thick European accent.

A: This guy is so stereotypically European it borders on racist.

Just to emphasise this point, he’s called Stromboli.

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Stromboli is a bit of a dick to Pinocchio, and threatens him with death if he ever tries to leave.

J: That escalated quickly. Do wooden boys even die?

A: Who knows he’s probably the first ever.  

J: Probably. Although everyone is so unsurprised by him I’m starting to think otherwise.

Stromboli is very pleased by Pinocchio’s behind. Maybe he’s the paedo all along!

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A: I bet you feel bad for judging Gepetto now.

J: A little. This guy is so mean.

Pinocchio is locked in a cage by onion-breath.

A: Poor Pinocchio, all alone.

A/J: 😦

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After doing a lot of talking to the audience, Jiminy finds it in his heart to go after Pinocchio. They have a nice heart to heart, but after realising they’re both too weak to do anything, Pinnochio starts to cry.

A: How can a wooden boy cry?

J: Again, how can a wooden boy walk, talk or perform complicated dance routines?

A: Fair point.

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After being a bit shit at escaping, Jiminy calls on his friend, the fairy-woman.

A: She looks like Snow White

J: Because her face looks like a baby’s?

Magic-lady is a bit of a patronising bint, taking the opportunity to be Pinocchio’s mum and egging him on to lie about how he got into this predicament. This, of course, makes Pinocchio’s nose grow, to the point where new life is created in the form of birds.

Fairy woman remarks on how a lie just ‘grows and grows!’

A: Until it produces birds and a nest?!

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This all seems to obvious.

J: This is so obviously a shoe-horned in lesson to teach children it borders on mundane.

Giant Tinkerbell helps him escape – but says it will be the last time she helps.

J: Why does she go out of her way to say that? Does she know shit’s about to go down? And why leave them alone if it does?

A: She’s probably just tired of dealing with all this inane crap. She’s a woman with god-like powers – she probably has much better things to do than help wooden boys out of cages.

J: Then maybe she shouldn’t give wooden boys sentience.

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A: Good point.

Meanwhile, in Villain HQ, Foxy Loxy is meeting with ANOTHER villain. We can tell he’s a villain because he’s got a British accent. And he’s fat.

A: This is getting silly, there are too many evil people in this film.

J: Decide who your villain is, Disney!

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As the British guy talks about his plan to steal kids, the real villain starts to become more obvious.

J: Ooh, so he’s the real Paedophile all along! I knew there would be one!

A: Whoa, you may be right! He just talked about taking the kids to ‘Pleasure Island!’

J: Wow, that’s dark.

Disney’s Blofeld continues explaining his plan.

“They’ll never leave… as boys!”

J: Even though I know what happens to them on the island, the violent sexual imagery is just too much.

Just in case we didn’t get that this guy’s evil, Disney makes it obvious for us via his face.

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Seemingly terrified of getting on the wrong side of that face, Foxy McFoxface rushes off to find young boys, and runs into no other than Pinocchio himself.

A: Surely Pinocchio won’t fall for this again.

J: I wouldn’t be so sure.

Pinocchio spills the beans on all the bad stuff that’s happened to him -in order to persuade him otherwise, Fox and the Hound becomes a Doctor and feels him up a bit.

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Diagnosis? Sexy chest. And allergies.

A: Allergic to what?!

We never find out.

This somehow leads to Pinocchio getting kidnapped again.

A: Twice in one day – what a surprise!

J: Bad luck, Pinocchio.

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Being kidnapped isn’t all bad though. Pinocchio make’s friends with a young ginger on his new adventure.

J: Wow, he’s got quite a serious case of horse-face.

A: That’s some obvious foreshadowing going on, there.

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A: If this is still Pinocchio’s first day alive, he’s not getting a great impression of humanity.

All the boys climb onto a ship and are excite to be visiting the aforementioned Pleasure island. There are a lot of boys.

J: This is horrifying. A fat man collects a ship full of boys and ferries them off to an island!

The island’s actually pretty swanky, however. It’s a theme park – and the kids can ride all night long. And smoke, apparently.

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A: Are those kids being handed cigars?!

J: By a rather derogatory depiction of a Native American to boot. How exciting.

A: I have a feeling this won’t be the last instance of prejudice against Native Americans we see in a Disney film.

Pinocchio and his ginger friend are being cheeky boys – so much so that our main wooden-boy doesn’t realise the irony involved when he plays around with a woodcutters axe.

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Pinocchio starts smoking.

A: he’s smoking a cigar?! How does that even work?

J: You’d thinking smoking would be a bit hazardous for a boy made of wood.

We are promptly proven right.

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As the ginger kid helps himself to some alcohol (?!) useless cricket-man finds Pinocchio, and gets all high-and-mighty again. He decides to wander off.

My significant other informs me of the horror to come.

A: Babe, this scene is pretty scary soon.

J: Don’t worry, I’ve seen the live action version of this film. When you’ve seen real boys morph into horrifying donkeys, then you can complain.

I refrained from showing him the horror of the live action one. I will not refrain here.

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Yeah.

Jiminy enters another room in a huff, only to realise its full of donkey-boys.

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It’s pretty horrible stuff.

J: Who came up with this crazy-ass idea? (Andy’s Fact Corner: The film is based on the book The Adventures of Pinocchio, first seralised by Carlo Coddini between 1881 and 1883.)

A: It’s like an episode of Black Mirror.

J: it’s all so sad!

Some of the donkeys can talk. It’s pretty terrible! Everyone’s having a bad time now. Even the ginger kid.

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J: He looks a little better like that. Donkey ears suit him.

I retract my statement as the scene turns into a horrifying show of a ginger donkey running around and kicking shit about.

A: This is the stuff nightmares are made of.

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Pinocchio starts to transform, but luckily his conscience catches up to him and helps him escape Pleasure Island.

A: So much more has happened in this film than the last one we watched.

The escape is pretty quick, and both of them make it to shore withina  few minutes.

J: Bizarre how this magic donkey-transforming island is just a few minutes swim  away from civilisation.

Our heroes rush to find Geppetto, to no avail. He’s gone! Our half-donkey wooden friend is sad at this.

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Suddenly a floating message tells them of Geppetto’s whereabouts.

J: I thought the fairy wasn’t going to help anymore!

A: She lied!

Jiminy reads the note, explaining that a whale has swallowed Geppetto. To much hilarity, Jiminy places much emphasis on letter ‘h’ in whale.

No body questions the note telling them Geppetto has been swallowed by a whale. The logical thing is to step off a cliff into the ocean, apparently.

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As they fall into the sea, some shenanigans happen. We both start to get a bit bored, and I wish I hadn’t lost my phone.

A: Why are they even looking for him? They know he’s been eaten by a whale. Who survives that?

Apparently Geppetto does, along with his giant ship.

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A: Why has Geppetto got a ship?

J: He’s a carpenter, maybe he built it himself. Imagine if the fairy got it wrong and accidentally brought the ship to life.

A: That would make for a somehow weirder film.

Back in the ocean, Pinocchio and cricket-fella have found Monstro the whale.

J: So he’s called Mosntro despite the fact he’s clearly a whale.

They …start to run away from Monstro?

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J: So, they’ve found the whale, and the plan is now to run away?

A: They probably should have thought further about this.

J: Why are they avoiding it? Surely they want to get eaten to find Geppetto.

A: This makes little to no sense right now.

As the gang fails to avoid getting eaten, our favourite cat Figaro is getting slapped around by some tuna. Presumably this is revenge for Figaro eating his family.

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Accidentally getting eaten by a whale turns out to be a blessing, as Pinocchio and Geppetto find each other again. They collide with happiness.

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J: I find it weird they’re so happy to see each other. They’ve only known each other for five minutes, at the very start of the film.

The gang are reunited, and attempt to escape the whale by smoking themselves out.

A: Clever, set it on fire. Kinda feel sorry for the whale, though.

The plan works, and they escape the whale’s stomach, only for the whale to be angry and start chasing them.

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A: Why does this whale have a vendetta against an old man and his puppet?

J: To be fair, they did try to set him on fire.

A: yeah, but he doesn’t know that.

The chase continues, and we both get a little bored at this endless action. Luckily, Monstro hits is head on a rock. Our protagonists make their way safely to shore… sort of.

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A: Oh look, a little wooden corpse!

J: Dark.

J:… How did he die? Surely he can’t drown, what with being made of wood and all?

The question need not be answered, as the pile of now-driftwood is taken home and laid to rest on the bed. So enters the fairy.

A: She’s helping again.

J: Urgh, she’s such an interventionist.

Suddenly, boy.

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J: That must be a mega hangover he’s waking up from.

He looks pretty creepy as a real person.

A: You should be dead. Lie down.

Everyone is pretty happy at the fact that Pinocchio isn’t dead. No one questions the fact he’s now a reall person. The ethics of this are confusing.

A party ensues in which cats float.

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As the film ends, Jiminy thanks the fairy, earning himself an ‘Official conscience’ badge.

J: So he should, she basically did all of the work in this film.

We fade out with ‘When you wish upon a star’

A: I can see why this became the main Disney song .

J: I will not be wishing on a star any time soon, if this is what happens.

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Final thoughts?

J: It’s much better than Snow White. There’s more characters, they’re funnier, and it’s technically a lot better. Still a bit boring in places.

A: I really enjoyed it. Geppetto is hands down my favourite character so far. It was weird as hell in parts but what an improvement.

Bring on film three!